I would add Sly Fi Digital Axis and Equavescent. Equavescent looks wonky and can be an issue cpu wise to use...but so can my Aquas. But in terms of how it sounds and its stereo image voodoo . The only algo eqs I own now are AOM Tranquillizr and Axis for cuts and occasionally Equavescent for busses or self-mastering (boost only).
I think the E27 is really really usable. I honestly forgotten about it since I went down the Neb/Acuqa rabbit hole. The top end is nice and silky. I like how it cuts things. Only downside is that it is CPU intensive (Due to oversampling, I believe)
I heard that Avedis worked with PSP for a long time until he was satisfied with the product. That fact alone should give you confidence, as that guys ears are really damn good
Gotta say, it's nothing analogue modeled, but it's incredibly useful in sound design, it's an EQ called Freiraum by Sonible. It's linear phase so it isn't got for everything but when I'm making dark DnB basses and anything to do with sound FX and atmospheric sounds it's a wonder. It records the spectral balance with it's 3 'smart bands' and then you can move them about to even out the sound to have practically perfect spectral balance. Completely remove harshness, balance the low end and mid range harmonics. Simply awesome in my book! Can be good for single percussion hits as well if you chop off the pre ring.
It also has 2 other "EQs" in the same interface, one called Proximity for controlling the reverb/space of the sound and another called Entropy which separates the harmonic and inharmonic parts of the sound and can be used to control the "movement" or transient of the sound throughout the full frequency spectrum with "EQ" bands and with varying strength applied.
Super cool I'd like to have their SmartEQ+ which has an extra band and more controls, and a larger GUI.