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CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby piperboy » Sat Aug 28, 2010 2:47 am

Barendse wrote:
piperboy wrote:Can U post it?


1 take 8track recording with a Korg D888. Recorded in my rehearsel room with low budet mics like the NT1-a and just the pre amps of the D888.

Tracks rendered with Bogen and R2R, final mix with S*L buss programs.

Nice work! I actually purchased this a while back and am AMAZED! Unfortunately I have yet to complete a project with it but this makes me want to fire it up and pull a weekender.
Thanks for the share.
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby Barendse » Tue Aug 31, 2010 10:18 am

Another track, it was recorded the same way as "Danger".

Rendered with 3 Bogen programs & R2R (mic-eq-r2r-line).
Mixed with the coloured S*L busses from Alex B.
Last edited by Barendse on Wed Nov 10, 2010 5:28 pm, edited 1 time in total.
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby Barendse » Sat Sep 04, 2010 1:55 pm

Anyway, after hearing the songs back again I went straight back to my first love: the MBC console ;-)
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby highvoltage » Sat Sep 04, 2010 3:50 pm

Barendse wrote:Another track, it was recorded the same way as "Danger".

Rendered with 3 Bogen programs & R2R (mic-eq-r2r-line).
Mixed with the coloured S*L busses from Alex B.


!!!

i really love the sound and both tracks are cool as hell. especially the drums. That just reassures me of the good old simple recording of drums. How many mics did you use on them?

(i think the bassguitar could do with a smoother high-en roll of.)
There is just some unmistakable cracking sound of the S*L console when the snare hits together with the hihats
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby highvoltage » Sat Sep 04, 2010 4:54 pm

What is the difference between the

BOG-F-L-DH
and the
BOG-F-L-HI

programs?
The manual sais the exact same thing about them.
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby Barendse » Sat Sep 04, 2010 7:57 pm

highvoltage wrote:What is the difference between the

BOG-F-L-DH
and the
BOG-F-L-HI

programs?
The manual sais the exact same thing about them.


I used the DH for rendering, I thought this would give the most colour.

There are 5 drum tracks on the two songs. When recording a full band with the D888 you have to be a little creative. There's a mono overhead (love this), kick, snare, two racks toms on one channel and a floortom. The tom mics were 100% crap btw.

I've made a MBC mix, it's time to compare. Maybe the Bogen S*L combo did work the best after all ;-)
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby ParadigmX » Mon Sep 27, 2010 10:59 am

domandroland wrote:This rocks for dnb :D


Praise from Caeser !

Im after a couple new libraries, the grimier the better, will check this out.

Cheers.
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby piperboy » Mon Sep 27, 2010 1:26 pm

This library is off the chain for grimey- in a fantastic way! Extremely nice for pulling back the edge on shrill digital hi frequencies. The saturation/harmonics is to die for. I honestly can't think of any other library this unique.
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby Barendse » Mon Sep 27, 2010 2:44 pm

I'm still using the Bogen S*L combo. It works for me.
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Re: CDSoundMaster 1950's All-Tube Mixer/EQ Combo - GET IT NOW!!!

Postby surbitone » Tue Oct 12, 2010 4:48 pm

I mixed an Indie record yesterday from some fairly sterile, but well recorded digital multi-tracks. I used R2R Otari 15 and the Bogen console / eq's yesterday. I managed to *totally* nail the tone/sound/texture of Ocean Colour Scene's Mosely Shoals, and the band absolutely loved it. What struck me the most, was how fast I was able to put the mix together; the high and low shelfs are deceptively versatile and amazing tone shapers. Literally, within about 10 minutes (after batch processing ;), the mix was totally rockin' and vibrant. Between the sound of the channel and using the EQs, it was effortless to impart a gorgeous smooth presence and deep, round, chunky lows - but still remaining very hi-fi and extremely musical, the character never became overbearing. Even 1db of low end on a bass guitar and the bottom just comes alive -wow. I used PSP Squad and the Siemens W295b for the rest of the eq work and also used Alex B's VBC mix buss vintage program for the output. It was a choice between the VBC and the free Sebatron VMP200e program, but the VBC busnt, and more controlled ways just rounded the sound in a slightly different way, so I just went with it. Honestly, I don't think I've had so much fun mixing in ages!
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