I love placing the N British before and after Molot (with it's saturation turned off) and that new free Portico EQ emulation (www.j1000.in.rs). Makes a very hardware-like sound, but with the ease (and fun) of the vst's controls.
blandry wrote:I love placing the N British before and after Molot (with it's saturation turned off) and that new free Portico EQ emulation (http://www.j1000.in.rs). Makes a very hardware-like sound, but with the ease (and fun) of the vst's controls.
It's a great program. I even use it sometimes in my mastering chain.
richie43 wrote:And remember, these presets, like some others from rhythminmind, are not in your face effects, but rather very deep and subtle emulations that impart an awesome analog flavor to your audio.
So, for example (just guessing), a good chain would be this one?
R2R > TB+ > Gain Stage > Console Input/Pre > Gain Stage > Compressor > Gain Stage > Console
I'm usin nrA enhancer and I put it on busses just after the compressor, and yeah, it's definitely subtle, but I like the way it sounds. Maybe this Gain Stage is another secret weapon
marcpinol wrote:Yeah, I have read about, but still don't get it
Take your time to learn.Put some headphones on.Load some unprocessed/minimally processed instruments/synths then some Nebula emulation and listen.
A/B.If you still don't get it,it's normal.Like everything,ears need time.They will educate themselves with time. If it's not now,soon you will start to ear the differences between "A" and "N","S" and "UA","L" and "Q8" and you'll start to chose what you need when you need.
In the meantime make music and don't worry,it's a journey...