This Nebula program library is created at 96kHz and requires a recent version of Nebula3 Pro.
It contains three programs; Low, Medium, and High.
"Tube Booster" recreates the natural sound of boosting the signal with a tube amplification stage or tube line driver pushed into increased gain. "Tube Booster" does for "Vintage Tube Collection" what "Tape Booster+" does for "R2R"! The natural sound of tube saturation has many unique qualities in comparison to tape, and many consider this complimentary to sustained and smooth transient material, with a smooth rounding of tones and large soundscape that accentuates the natural tonality of musical material.
For more information, sound examples, and for immediate download, please visit:
Purchased together with your fantastic vintage tube collection 2.0 and tested it on an open transparent acoustic guitar / vocal mix. I was simply asthonished how good it sounded, and how I was able to control (shape) the sounds using various tubes and presets in this collaction. Combined with the Tube Booster the Vintage Collection lib is a "must have" to get the tube vibe character of sound into your DAW mixes - I am very pleased!
I have been blown away utilizing both these new releases, r2r and TB+ in a double mix album I'm working on.
One word, HUGE, and beautiful sonics!
I was able to take a track and increase the individual channels perceived volumes in some cases 9 db, with no damage to the sound, and no increased peak.
These are a must have. If you guys have not seen the youtube video on where Michael uses the TB+ and R2R (IMO the best tape library out there) to push the track louder w/out damaging peaks or the sound I have to say you HAVE to check it out.
Using that with the Tube Booster and the new pack is an absolute game changer.
This is what my music has been missing since I have first started writing.
Try using something like the MTP or any of the tube models from the PCS (specially the PCS TeleV72) plus one hi and one low boosts (or just 2 or 3 low boosts) with a vocal bouncing around -18dBFS and you'll smile right away! The incredible thing about this library, beside all its color, is it alters the source dynamics completely. It's like having a subtle compressor or driving a hi-end preamp to make things sound "tighter", it's amazing. Using it on busses is a god send (and a privilege if you have CPU enough heh) because it "rounds up" everything. After VTM-M2 this is one of the most impressive things I've heard lately. Be sure, ALL my serious mixes will have at least 2 instances somewhere using these programs!
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