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Titanium Preview  3D

Titanium - Preview 3D

Acustica has been trying to work on the perfect equalizer for many years.
Our products are designed to provide the highest possible quality, without compromise. Never trust rushed judgments: some products cause transients to be damaged and have unmusical phase responses. If at first listen they may sound usable and dangerously similar, in the long run your music will lose transparency and become terribly blurry and confusing.
This is a new problem that is rarely emphasized, but which can make a huge difference to the communication capacity of your emotional message.
If the hardware musicality is what you are looking for and you feel this is one thing that has not been perfectly reproduced in the software world yet, now’s the time for you to reap the fruit of our experience.

The Green Equalizer is characterized by astonishing precision and sonic accuracy when sculpting the response of any source. Green Eq offers overlapping frequency bands, which provide great precision and flexibility, a complete control over a wide frequency range and “Q” setting, along with 15 dB of cut or boost on five individual bands. The Low and High bands offer counter-clockwise detents for shelving curves in addition to the variable “Q” values from 0.4 to 4 found in the other three bands.


Green3 is based on CORE7, the revolutionary multithreding technology by Acustica. It's a fractal approach to partitioned convolution, allows to optimize performance of  Aqua plug-ins  to make maximum use of your system resources…to exploit zero latency.

Key Features


Titanium - Preview 3D Despite the digital revolution in the pro audio industry, many of today’s top albums are still mixed with analog outboard gear. Mixing with analog devices often still sounds better to many people. There is a very elusive and almost "magical" quality imparted from analog signal chains that is missing in the digital realm. There appears to be more weight to a mix, and the overall sound is more three dimensional. Analog devices produce electrical artifacts that affect frequency response, add harmonics, cause signal clipping and increase noise. These artifacts, which audio engineers often consider the character of a particular device, result from a combination of factors such as component grade, technology type (i.e. vacuum tubes, ICs, transistors), power supply specifications, equipment casing and other variables.
Depending on the circuit characteristics, input signal frequency response varies. Some circuits cut frequencies, others boost them. This behavior is part of the overall device character and should not be confused with user adjustable EQ.
Total harmonic distortion (THD) is based on the levels of the odd and even harmonics of an input signal, usually at a level much lower than the fundamental level. THD balance and decay are circuit dependent, and thus differ from device to device.
CrossTalk and Noise are two elements which every designer tends to avoid to not affect the audio quality. Since in the analog world they can't be avoided, fortunately in digital domain with Volterra Technology we have reduced the noise at less of -120dBfs and completely avoided CrossTalk during the sampling.
The result is an optimum full quality sound from a like-new working condition hardware.


  • Input & Output knobs control plug-in input and output gain;
  • The Cut/Boost knob controls the amount of gain or attenuation for each band. Maximum level of cut or boost is 15 dB, continuously variable;
  • The Frequency knob determines the center frequency for each band;
  • Frequency ranges differ for the bands to accommodate maximum flexibility. Available values are:
    • Band1, Band2: 15Hz, 20Hz, 30Hz, 50Hz, 80Hz, 100Hz, 150Hz, 200Hz, 300Hz, 400Hz, 600Hz, 800Hz;
    • Band3: 120 Hz, 150Hz, 200HZ, 300Hz, 500Hz, 1kHz, 1.5kHz, 2kHz, 3kHz, 4kHz, 6kHz, 8kHz;
    • Band4, Band5: 400Hz, 450Hz, 600Hz, 800Hz, 1kHz, 2kHz, 3kHz, 4kHz, 6kHz, 10kHz, 16kHz, 26kHz.
  • The Q knob controls the sharpness of the peak or dip for each band, with a counter-clockwise detent for shelving on the LOW and HIGH bands;
  • The EQ IN switch toggles between the active (switch in, lamp ON) and bypassed (switch out, lamp OFF) modes of operation;
  • The PRE-IN led enables (lamp ON) or bypass (lamp OFF) the preamp stage of Green Eq;
  • Meters measure input and output level of left and right channels. The left meter show L/R input level while right meter measures L/R output level.
Green Collage

Sampling rate

  • 44,1 KHz
  • 48 KHz
  • 88,2 KHz
  • 96 KHz



Credits for: Danny Feng



"Me and You" Dry and All EQ's examples, show off the pristine clarity and warmth of the mighty "Green" EQ.
Credits for "Me and You": Eric “CoDee” Cody for Polaris Musiq Works - All rights reserved.

Sys Requirements

OSX 32 Bit OSX 64 Bit

Operating System Xp Sp2 Latest 64 bits version
OS X 10.6 (32 bits) (1) OS X 10.10 (64 bits)
CPU Dual Core Latest multicore CPU (2) Dual Core

Latest multicore CPU (2)

RAM 2 Gb 16 GB to 128 GB 2 GB 16 GB to 128 GB
HDD/SDD 700 Mb 700 Mb 700 Mb 700 Mb
Screen Resolution 1024x768 (XGA) 1920×1080 (HDTV) (3) 1024x768 (XGA) 1920×1080 (HDTV) (3)
Audio Host VST2/AAX 32 bits VST2/AAX 64 bits VST/AU/AAX 32 bits
VST/AU/AAX 64 bits

(1) Use legacy UI framework.

(2) Intel Xeon v3 or Intel i7 generation 4 or 5 or newer is recommended.

(3) 3840x2160 UHDTV is also supported.



In Depth

Green Forum


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