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Alessandro Boschi's name, a.k.a. 'AlexB', has become synonomous with quality Nebula presets that represent their luxurious counterparts. He ensures that only top notch modern and vintage gear, precisely sampled with high end converters and cables, with particular care at the connections, levels and impedance matching, find their place amongst his Nebula libraries. Offering sampled vintage and modern gear with all of their unique trimmings, one can find consoles, EQ's, compressors, FX and highly sought after preamps.

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Velinas(Niklas Richter), one of the original mouthpieces of the Nebula revolution, created not only one of the first quality Nebula presets but also aided in the growing Nebula community and its understanding of what Nebula is all about. He successfully implemented a central site where users are able to not only exchange information and experiences about using Nebula but can also organize and share user-made presets for Nebula.

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CDS Is Classically Defined Sound.

CDSoundMaster provides Program Libraries of the highest quality for the Nebula Commercial Plug-in.
CDS Is Pleased to be an Official Third Party Developer of Program Libraries for Nebula Pro and Original stand Alone Plug-Ins using the 'Powered By Nebula' Acqua Technology, along with our own software design and VST-i Instruments.

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Cupwise Nebula programs are developed by Tim Wisecup. Tim is interested in pursuing unusual ideas with unique challenges, that result in sounds/effects not found elsewhere. For example, his tube radio programs rely heavily on using multiple passes through the radios, and averaging/mixing the many 'takes' down to one. This results in a cleaner, more accurate signal. His 'Tube FM 1' set was made with each sampled setup being recorded around 16 times. That's a little over 4 hours each, just for the recording. 'Tube FM 4' needed more accuracy because of its high distortion levels, and averaged around 14hrs of recording time, per effect.

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Gemini Audio is dedicated to creating Nebula Libraries for the "Big Sound" in the box. Gabriel Schwarz, the founder of Gemini Audio is an audio engineer, producer and songwriter. He was chasing for that big analog sound in the box for years and couldn't find a single plugin which could create the magic he was looking for until he found Nebula. His passion for Nebula grew more and more so he finally decided to create his own libraries, which can now be found at Gemini-Audio.net. He uses only top notch mastering converters and high quality cables with carefully calibrated and matched levels to provide the highest quality.

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Platinum Producers Series: At first glance, Gene Lennon might appear an unlikely developer of digital products. He continues to use a large format Neve console and a room full of classic analog outboard  gear in his New York area production studio. But Gene's digital roots go deep. In 1979 (before the CD was launched), he was Head Engineer at the first all digital mutli-track studio in NY, using the areas first full digital system, a 32-track recorder, mixdown and editing  system built by the 3M corporation. Even prior to that he was involved in experimental 2-track digital recordings featured in what wast the foremost national hi-fi periodical at the time, Audio Magazine. He went on to beta test for the pre-release of Sound Tools, the predecessor to Pro Tools, and has worked with several other digital developers over the years.  Gene has fully embraced Nebula, first as a user and later as a developer. He is currently focused on high-end reverb systems, but with a large selection of classic hardware to choose from, his intentions are to extend his offerings in the near future.

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Henry comes from Zimbabwe where he grew up and ended up becoming a professional cricket player and receiving 80 international caps which included playing in two World Cups. On retiring Henry found refuge in the UK where he has been based for the last 9 years. On arriving in the UK he eventually moved to London to get involved in the music industry as a vocalist. He attracted the attention of Sony BMG, Universal Music and Warner Brothers with a light, lyrical tenor voice and performed at a few showcases for them. Henry was close to signing but his management company who had just purchased the now defunct Whitfield studios from Sony went into administration and that was the end of that. He had managed to work with some big names in that time like Andy Wright and Robin Millar and their enthusiasm pushed him to consider a DIY approach. Henry decided to set up a small home studio with a vision to produce his own music combined with live performance and also exploiting the distribution avenues that the Internet has now delivered. 'I decided to step from behind the microphone and onto the mixing desk.'
Henry says,'My first piece of High end audio was a GML 2032 and once I realised how big the divide was between what I was doing with my high end pre/eq and what my simple sound card produced, I realised that there was a whole new world I was excluded from. And that world was very expensive. The gulf between the low end and high made me wonder if there was hope for the little guy'. So began the quest for better sounds and initially Henry invested a lot of time in creating presets for his own productions and then set up an online store to see if there were any others interested in mixing quickly with his tools. The result was a slow and steady increasing demand that led him to continue this work. It was really due to the shortcomings of Q-clone that Henry discovered Nebula and became a member of the 'old forum' and eventually a beta tester. 'I spent years training my ears to know what it was to appreciate a good sound.'
'When I loaded up my first nebula program I realised that something special was going on. There was no harshness and there was even distortion as well. No plugins had sounded this good and a little community had produced what no other big budget plugin company could emulate . But back then I had a flimsy computer that couldn't handle more than one instance. In time computers became much faster and I decided to build a workstation specifically for working with Nebula.' He then went on to purchase, 'just about every single product made for Nebula' and recently decided to dip his own toes into the world of third party development.
'We stand on the shoulders of giants and all the initial producers have led the way but I wanted to push the boundaries a little more.' It was when Giancarlo gave us the high resolution upgrade that I decided it was time to start producing with maximum quality as my goal.' Armed with the Swiss army knife of pro audio, a Prismsound Orpheus, some wacky ideas and and a no holds barred approach, Henry hopes to bring some rare and exceptional pieces into the ever expanding world of Nebula.
His first professional album 'Aurelia' was produced by Robbie Bronnimann and Henry is currently working on his 2nd and 3rd albums and no doubt Nebula will be talking center stage

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Henry comes from Zimbabwe where he grew up and ended up becoming a professional cricket player and receiving 80 international caps which included playing in two World Cups. On retiring Henry found refuge in the UK where he has been based for the last 9 years. On arriving in the UK he eventually moved to London to get involved in the music industry as a vocalist. He attracted the attention of Sony BMG, Universal Music and Warner Brothers with a light, lyrical tenor voice and performed at a few showcases for them.

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OwnHammer is an independently owned and operated multi-format developer that focuses primarily on the capture of electric guitar cabinets. These libraries provide a vast array of speaker selection options per cabinet in addition to the stock default configuration. Multiple microphones and subsequent placements are provided, sweeping across the relative sweet spots to provide results that sit well in a mix of multiple instruments and sound sources with less need to carve and sculpt to get there.

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Because every inch of a room sounds different,

Because every microphone sounds different,
sampling a room is a unique job!

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Signaltonoize.com aims to create & capture sought-after musical tools, with a focus on boutique/legacy analog devices and modern digital classics. Our hallmark is keen attention to detail, signal flow and utility. Our work philosophy is that quality is of utmost importance.

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Bob Davodian, who goes by the moniker TranscendingMusic, creates quality Nebula presets that focus on utility and creativity. Having more traditional gear covered by other quality 3rd party developers, he tackled some of the eclectic processing out there. However, some traditional gear is included coalesced with custom DIY hardware/software combinations to give rise to otherwise unique signal chains.

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Independent Nebula programs developer: He doesn't sample very often but when he does his specialties are in the realm of essential and unique units like spring/tape reverbs, strange guitar stomp boxes and all kind rare/wired sound processors. VNXT tries to find the most characteristic units to sample and captures that precise vibe. He started to sample in 2008 and in the beginning of 2010 released his first commercial product and this is only the beginning!

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Software developer, producer and musician, specialized in making software tools for Nebula users.

If you haven't heard about Nebula preview/rendering application NebulaMan and other titles, do check them out. Nebula users and Nebula program developers both agree that these tools are really powerful, helpful and a joy to use, bringing Nebula experience to another level. All tools are first used/tested at Zabukowski's studio for his own projects!

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